Showing posts with label originals. Show all posts
Showing posts with label originals. Show all posts

Sunday, April 24, 2022

4 PIECES BY AFTON BRAES - [Stephen Rodefer]

photo provided by Benjamin R.

Gary Snyder Dream Sequence - Interview with Robert Creeley - Two Poems - Afton Braes

[Submitted to Larry Goodell for Fervent Valley #5 or was it #6 which, whichever, never got published. It is my thrill to present Mr. Braes' work here, finally, with my apologies to be so late to do so. And I do this in loving memory of Afton who could not have created these spectacular takes without dear near lifelong friend Stephen Rodefer. Love to all in this disclosure. Larry Goodell 24th of April 2022]

*

"Shocks #3 will present a ‘Gary Snyder Dream Sequence.’ If you have had a particular dream about Gary Snyder that you think says something about the poet, his work, and/or your relationship to him and his work, please send it to us. We'd like to build a public gestalt of dreams as a way of realizing the 'consciousness' created by his personality and his work."

Gary Snyder Dream Sequence 

by Afton Braes

I dreamt Gary Snyder ate a pregnant lizard in the Pinacate Desert but it was all right because:

(1) He was truly hungry; (2) He killed her with his bare hands; (3) He left the eagle feather he usually wore in his pony tail hanging on a cactus as his recognition of the force of Lizard in the universe.

I dreamt I went to a Gary Snyder reading in my Earth Shoes and in the first poem when he said “deer,” we were all thrilled to be part of the incredible magic of prime-poetry. In the next poem the fourth word was "fir" and everyone had an orgasm. 

I dreamt I looked down and my Earth Shoes were gone and I looked around at the audience and everyone looked so hairy and ecological that I felt like a marine and was ashamed. 

I dreamt Gary Snyder kept us waiting in line to pee at the party afterward while he fucked yet another Gary Snyder groupie in the house's only bathroom. The water was running full blast. 

I dreamt all the definite and indefinite articles of northern California and Oregon brought a class-action suit against Gary Snyder for not being an equal-opportunities employer and in settlement won his house in the Sierras and sold it and with the money bought an Air Stream trailer and went to Yosemite to camp on the Fourth of July. 

I dreamt Gary Snyder was the first centerfold in the Sierra Club Bulletin and they flew in Elliot Porter by helicopter from the Grand Canyon to touch up the photo.

I dreamt I heard Charles Olson say Gary Snyder that inventory of the mundane.

I dreamt Gary Snyder went to Japan because he wanted to be tall.

I dreamt Gary Snyder wrote a poem that wanted to be liked even more.

I dreamt Gary Snyder believed in the magic of animals, the common work of the tribe, and the ecstasy of the dance.

I dreamt Gary Snyder met his own end . . .   and couldn't go on without it.


Interview with Robert Creeley

by Afton Braes

"Let's begin at the beginning. Are you circumcised, Bob?"

"Well, my father practiced medicine in Arlington, Mass., and my mother was a Welsh cupboard so on that particular level it made for a not altogether unlovely beginning. At a relatively early moment (i.e. I was just a kid) I lost my eye to a crow in the backyard; then, not absurdly, Harvard; then, the war. It was a curiously indecisive period in what otherwise might have remained, simply by nature, an inarticulate youth."

"When did you first realize, Bob, that you were Emily Dickinson reincarnated?"

"Now that's a very flattering question. (Laughter) No really, if only I could so likely think of myself. I do remember once having the misfortune of living at some length (i.e. we were married) with a woman who, like they say, wouldn't go down on me. And this, again not absurdly, gave a curious, halting form to much of what I wrote at the time.”

"The robin hopping after the disappearing night crawler reaction?" 

"Exactly." 

"Is this when Charlie Parker entered your life?" 

“No, this was later. I had tried to come down to New York, bringing some of my best Bantams. Some friends, John and Joanne Tewkesbury were kind enough to offer me their house on Long Island for the summer.”  

(Editor's note: here the tape runs out; what follows is a long and interesting discussion, unfortunately unrecorded, of John Cage, Merce Cunningham, and Thomas Campion, while the tape is being changed.) 

"Does Bobbie continue to make all things possible, Bob?" 

"Every woman continues to make all things, and each particular remark clearly particularizing itself in its own time. I remember once the English explorer, Shackleford I think it was, describing a particular snow cliff he had stood on years before in Antarctica I believe, and the sense he had looking out over all that ice and snow which he literally was familiar with." 

"Going home?" (laughter). 

"No, not absurdly, again . . . that particular story manifests a curious sense of things, not altogether unrealized, which I have always felt made actual what otherwise might become merely memory, and that's a comfort." 

"What do you think is next, Bob?" 

"Well, Ukiah curiously is a possibility. Not heavily, but one hears of course that that particular town literally is haiku spelled backwards, and that's a modesty I feel particularly compelled by. And there's a pleasant little community college there. I mean what can I say. At Bolinas there's a wonderful friend, the sculptor Dostoaki Brown, a very lovely man indeed, who happens also to be the local kite flying champion; well, nothing need really follow, if that can sound right. I mean it does anyway. And the perils of living, as well as the glory of it, become altogether consuming. It's not an easy thing to know anything exactly. But then one does know everything. All wise. The water board moves in mysterious ways. But I like the act of surfers flopping along the street. That curious grace of the wetsuit out of the water. 


Two Poems by Afton Braes

Your Veins Are Using Up The Redness Of The World 

Your plural lovers suffer their attacks of pleurisy
Sitting helplessly on the toilet of your attractiveness
With the door totally off its hinges.

I tell you with your essential underthings 
And my idea of justice we could conquer the world
Were it not for such rudimentary stoppages as time,
Periodicity, hunger, and the need for making a living.

Quick, one last stab! and then let's call it all off
And go up north for awhile, exuding sex
And basking in the sun of some slimy warm spring.

And if you cannot love me it hardly matters finally.
At least we can go on a trip somewhere – 
It's all madness anyway and I don't think
Any of us were meant for endurance
Else why would our tennis shoes wear out so gracelessly.

If it tastes good I say eat it.
If it kills you at least you die
Trying not to.

– Afton Braes

 

Pastoral 

Into the anus of the other the cock nudges
like a green thumb.
Patience overcomes cowardice and slowly
the sphincter opens like a petaled leicaflex
and the relaxation spreads over the general surroundings.

Some cows nuzzle down devotedly
against a tree trunk
and be the same stream without interruption
a long haired pointer is stalking dragonflies.

The more one bears
the more fecund one becomes,
moving toward that sudden and wonderful appointment
to which flowers all that remains
behind.

It is a beautiful afternoon in September, the air
has a carnival, harvest atmosphere,
Frank's dead in heaven and everything is right
here on earth.

                                        – Afton Braes


[I am beholden to a near lifelong friendship with Mr. Braes and all his disguises. May our wonderful collaborations (Oriental Blue StreakFervent Valley, and Duende Press) continue to spirit the world. 
Larry Goodell]

[Note: contact me for any comments, questions, hesitations.] @larrynewmex or larrynewmex@gmail.com

Saturday, March 15, 2014

Scibbled Envelopes



Pretty Lanterns

When the airstream's on the hayload
          & the limb is on the tree
you can hang your pretty lanterns
          where my legs attach to me

we can take our gloves & stockings
          & arrange them on that tree
you can shake your pretty lanterns
          & light up the inner me

when we go all out & say so
          that the air is full of bees
summer's here & we're a partin'
          & we'll do what damn we please

but it's really not the springtime
          & the air aint full of bees
will you take your goddamn lanterns
          get them off my BVD's.


1991, from Larry's Songs
Pretty Lanterns is recorded on Ubik Sound's The Mad New Mexican


Curiously, for me, I just this minute discovered on the envelope 
these lines following the song.


Holy Terror

Holy terror stalks the advent 
of the coming of the Lord
when he’s lost his good right hand love
& lives by the crooked sword.

Larry Goodell





Roswell


Roswell with the Plains rolling out into the Eyes 
Eyes with the Plains rolling into the Bars 
Bars where the Cattle cross into the Heart 
Roswell where the Heart rolls out of the Bars 
Bars with no Bars but Photographers arms 
back from San Francisco talking of Pool 
no Table   no bars    no    way to find Home 
Home from I am Roswell with the Veins in my Arms 
Arms with the Plains rolling out of all Harm 
Harm where you know it alive the Baby cries 
Roswell with recorders & Plains with their Arms 
to be one   Born here   St Mary's ordinary cross 
Roswell with the Music   He cleaned it up 
Roswell with no name   He never saw his town 
Roswell never saw the town named from his name 
Plains arms roll never knowing where they came from
Philanthropy an old thing   naming from the Bars 
no Bars only Home to some 
trying to name   an artist 
who's really good   at home in his voice 
reading the names as they show up in the Plains 
Home   & Home again   a name in the Bars 
of Albuquerque Algodones Placitas home 
Roswell with the name nobody calls it a home 
Home it was & ever will be & be & be 
Roswell with the name where 
the flat    ness rolls out 
aflame in the ears    to die Roswell old home a poet born to hear what 
he hears   her sitting home   away in the tears 
he left here   to come back   a dozen years of solitude 
a chronicle of Paradise in trees they left to die
Artesian Roswell making making
empty clothes lines

I give you Silk Stockings for Yr Empty   Bars
I give you back Roswell with its empty Death Wish
I give you back what you brot me   Lines with a Stick
a Bat out of Carlsbad   a Bag of loose Cotton
a reaping raping raiding woman cursing with the Dry Plains
I give you a Letter   the Letter Z
Z for Zones   Z for Cattle Brands unknown
Z for my Home never found never wandering
A Ghost of the Lovely Host who ate his Solid Wafer
& blessed the Town to turn it back where its Hope was found once
when you let the newly found Artesian wells spill out their
Giant wealth   to give it in again   & take the People Hatred
Hiding in DeBremond Stadium where the Football games
pounded   it in   turn it in the Spring River   come back
flowing   flowing   in all the ways of fuck     again.




 Larry Goodell   (written on envelope at Wendell Ott’s 
in Roswell, NM, Sunday, 7Apr74)













She Got It Right


The Bible wrote a woman
to teach her how to be right*
but she wrote before the Bible
it never got it right.



Larry Goodell /6Jun91


First time best.

(Spicer
         "Dictation" . . . )

*"write" I wrote in but I prefer original
which is on an envelope from Eileen Myles.




Today I received the incredibly beautiful and precious book of Emily Dickinson's envelope writings, each envelope whole or scrap of it carefully photographed with the typed text provided, from New Directions & Granary Books & the benevolent Steve Clay, The Gorgeous Nothings, by Dickinson, an amazing display of creativity in the act put to convenient paper . . .

this gift generated this putting together a few things: the "Roswell" poem is somewhat important to me having been a spontaneous act on a visit to my home town when at a party in the artist Wendell Ott's home, the poem started and I had to find an unoccupied room and tore open an envelope to write on . . . when I've read this to a younger audience I've, against my heart, substituted "fuck" for "love" but the original, as almost always, has the say . . .

in making my work presentable (on computer and printed out) I am constantly going back to the originals in the notebooks or, in earlier years, folders by year . . . as that first take in time and place allows little or no change in a different time and place since that would be contrary to the impetus, at least for me . . . I've spent too many years beating the dead horse of my uninspired poetry trying to whip the dead into living, a hopeless and exhausting and wasteful task . . . thank you Robert Creeley for giving me the hand up and out and into my own voice and possible unpretentious expression . . . the sounds can go deep and wide when true, true to one's cooperative self.

for That's A Poem  which was written on napkins in a hamburger place in Shiprock, New Mexico, please see That's A Poem, from Napkin to Printed Page.

Larry Goodell / Placitas, New Mexico 3/14/2014
this post is for Steve Clay

Followers!