Monday, September 18, 2017

She's Been There All the Time & a Drawing from the Placitas 1969 Jelly Roll Refried Bean Bag

Placitas 1969 Jelly Roll Refried Bean Bag Contents

This 11 by 17 inch broadside is part of the Placitas 69 Jelly Roll Refried Bean Bag assembled by Curt Fiedler and distributed free, all separate printed sheets rolled up in a cardboard tube . . . all of which I hope to present online . . . this is my contribution . . . 


This ink drawing by Lenore Goodell was part of the "Refried Bean Bag." I put a border around it only to give evidence of the irregular bottom edge. 1968.

Stay tuned, much more from this phenomenal non-edited and printed compilation by Kurt Fiedler
appears soon!
larry goodell / placitas, new mexico


Sunday, August 27, 2017

The President

"The President" is the 10th poem in The Staff of Ometeotl. I presented The Staff in the library of the University of Connecticut as part of our tour. In 1973 Stephen Rodefer and I read in numerous cities traveling in my little Datsun station wagon with my wife Lenore and my son Joel. George Butterick generously used this poem and the drawing by Lenore Goodell in this handsome 8" by 16" broadside.






Setup drawing for presentation of "The Staff." The 12 poems hang on cottonwood staves and are read through entirely.

Mollycoddle's apron which is donned for the reading of "The President."



Cloth backing for the poem, with burst balloons from past performances and the hanging sawtooth snout that is used to burst the 2 balloons at end of poem.


I appreciate the late George Butterick's interest in our work in setting up the reading performance and thank Lenore for the drawing and the University of Connecticut for this broadside.

larry goodell / placitas, new mexico / 27aug2017

Monday, August 21, 2017

Song - My Father is a New Man - from Brother, by Larry Goodell


holder and "sun" with willow rays
larry goodell

SONG (text only)

my Father is a New Man
he sings forth out of the Haunches      of the Old Woman
his great-great-great-great Grandmother



I come again

with one glance

I burn the suits off yr Flesh

you walk before me gray & metallic
I burn the suits off yr Flesh

because it is the person NEXT to you      who 1 renew,
& come down in      the Person who Speaks

Everyone in this ring KNOWS whose suits are burnt OFF
whether they know it or not      knows they are burnt off

& I proceed to enter the air      evade procedures
I am the air & the source of the sun
which rests solidly       on the haunches
of yr great-great-great-great-great Grandmother

believe you me She is moving me
or maternal mover in the spring
comes down in autumn-winter        to bring me back
or she started moving me or I started moving her
in the first place.



my Father is a New Man
he sings forth out of the Haunches      of the Old Woman
his great-great-great-great Grandmother



SONG (My Father Is A New Man)    (items for performance)


















   (on back of sun disk so it can be read while holding it & moving)

walk to sun disk, forearms crossed right over left, grasp it
my Father is a New Man
moving the disk slowly out of the ring
he sings forth out of the Haunches      of the Old Woman
his great-great-great-great Grandmother
continue moving the disk W, rt elbow lifting over the top of it 
body turning to follow it W
I come again
moving toward picture on W wall
with one glance
I burn the suits off yr Flesh
you walk before me gray & metallic
I burn the suits off yr Flesh
backing off from picture
because it is the person NEXT to you      who 1 renew,
turning with the disk, to face N
& come down in      the Person who Speaks
moving back to center of room while continuing to face N 
Everyone in this ring KNOWS whose suits are burnt OFF
whether they know it or not    
knows they are burnt off
stand still
& I proceed to enter the air      evade procedures
I am the air & the source of the sun
which rests solidly       on the haunches
of yr great-great-great-great-great Grandmother
start moving E
believe you me She is moving me
moving E
or maternal mover in the spring
comes down in autumn-winter        to bring me back
or she started moving me or I started moving her
placing sun disk in  ring, rt forearm over left
in the first place.
let go and stand
my Father is a New Man
he sings forth out of the Haunches      of the Old Woman
his great-great-great-great Grandmother

larry goodell / placitas, new mexico

This poem piece is part of Brother which I put together in 1970.
I have put all of Brother on Issuu the best I can. Please look here. This piece is on pages 50-51.
It immediately led to my Ometeotl Trilogy (still stubbornly unpublished). Much of the Trilogy can be found on my Youtube Channel.


Saturday, July 8, 2017

Free Speech Poetry


Free speech poetry is in almost every locality. It’s at odds or even oblivious to traditional national or international poetry. It bypassed the throttling mumblings of socalled "language poetry." And it remains concurrent with the formalism of MFA poet teachers poetry, but it has slammed in and out of slam renewing the Ginsberg/New American Poetry Revolution which continues on.

Free speech poetry is vital in its reading performance lead, more in larger towns and cities of course. Publish on demand services such as Createspace bring books out from individuals and cooperative friends as well as established presses. Locality ignites poets because of the living availability of readings therein.

The vitality of readings across most towns is spread by email and social messaging. Open readings and/or featured readers attract poets, would be poets and friends. At this point almost every poet can have a book or new book to sell and trade with others. Proliferation of poetry books by poets themselves assures locality even when poets go places and explore the network of other non establishment poets. The locality of publication is the result of being ignored by both the East and West Coast publisher and university establishments, the longstanding lack of interest made even worse in financially strained times.

All poetry is local when you get down to it. And worthy of celebration in America 2017.

larry goodell / placitas, new mexico / 8Jul2017

Monday, May 15, 2017

Mimeo Handouts Bromige and Coolidge Vancouver Poetry Conference 1963


I did take pictures of many items before they got shipped off to NY and then to Yale. At the "Festival" we attendees had poems mimeographed for the instructors: in my case, Charles Olson, Allen Ginsberg and Robert Creeley. I sent my (maybe) complete set of mimeos off to the sequestered archive world. These were legal size. Thanks Dave & Clark . . .

larry goodell / placitas, nm

Tuesday, March 21, 2017

Thank You Meredith Rice


Photograph of Meredith Rice's last painting. Sent to me by Sonia and Neil Nelson, thank you. It is called "Transformations." From her Healing Cancer series.

Date: Jun 17, 2012 4:53 PM
  
Hi friends and family,
I've just finished my latest "Healing Cancer" painting called Transformations. In it I am seated like the Traditional Buddhist goddess of Compassion and healing "Tara". Behind me is my healing animal totem, the white Bengal Tiger. From the picc [?] line in my arm my blood flows to become a bouquet of roses, my stock tube becomes a blue lotus. One foot is ready to touch the earth and begin the journey. Paisley symbolizes the rich possibilities that lie ahead. the black cosmic circles remind me that there are many worlds in this seemly simple earthly place, home. the circles of color about my head are healing; all are  aspects of light and Love.

I feel serene and balanced , as I felt during painting this painting meditation that I worked on for the past month. I will be beginning a new painting this week.the painting is 24' by 24" acrylic on canvas.
                                                                                                  All my Love and Light.
                                                                                                                              A. Meredith

Meredith Rice 1945-2012
birthday postcard collage from Meredith Rice


beleagered collage residing in our kitchen for years serving as a kind of protector
by Meredith Rice



damaged pastel and line drawing by Meredith Rice - nevertheless evocative . . .


three friends (thank you Sandra Feldman & on the right is Sonia Nelson)



See this booklet at Lotsa, Larry Goodell
(I just this day 12/26/2019 scanned and posted all of this little booklet made 
by Meredith, a gift for the birth of my son)
*

Thank you Meredith Rice for a beautiful decorated collaged Constant Comment tea box gift in 1968.
I wrote a little poem that can be cut in strips (each starting with "HELLO" and placed in the tea box and pulled out at random to read. I just today made a collage of some of Meredith's images and others that might be relevant to go with this poem, since I no longer have the box.



I wrote the above as a thank you but I don't know if it got to Meredith.

*

Letter from Meredith, April 1976




*
Finally, here is the poem I wrote for the Marriage of Meredith Rice and poet Bill Pearlman.

Love to all, and in memory of and grateful for her accomplishments, Meredith's warm and colorful and generous work and life . . . . thank you. Larry Goodell - Placitas, New Mexico - larrynewmex@gmail.com

Thursday, March 16, 2017

Eye of the Lizard from 2 pages in Notebook #8 1969 - Larry Goodell

Eye of the Lizard


under the old cottonwood tree
down in the arroyo


.dirt & seeds over my legs & loins
.lizard, probably a baby
Come here.          (he did)
gentle talk
his eye
I sat down
he didn’t move.
eye within eye, cunt.
I’ve seen/communicated with you before!

(in vision of the Eagle’s
eyes - one at a time -
seeing inside the Eagle’s vision
first one side then the other
that was the vision – could be repeated
endlessly.

the Vision shapes up & allows the tiny birds to digress

sat in dirt
Hello, how are you?            (to the Lizard)
Please answer my questions.

Yes    –   Yes   –   Yes

I piss.

The eye & the me.
(inside looking out)


larry goodell / placitas, nm / hertford ranch / 28Apr69




As I'm working back through notebook jottings, now back to 1969 and this notebook . . . it seems necessary to get the writing at least onto the computer . . . and although it will be difficult, maybe impossible, then whisk all the notebooks, "bible" of my life, off to the archives . . . love to all, larry.

Monday, January 2, 2017

Two gift bunches of new poems!

My selection from July of 2016 when I was guest editor.
And Phil Garrison's from December when he was guest editor.

My selection is from July of 2016 and Phil Garrison's selection is from December.

Worthwhile presentations here, I think. And thanks to Halvard Johnson for inviting so many to guest edit, one editor per month - great idea!

                            Thank you to all, larry

Tuesday, November 1, 2016

Larry Goodell Online Agog


Larry Goodell - Links to a Literary of Works

I'm happy to keep these links flowing as time permits. Here's a good start.

First of all thanks to Steve Clay of Granary Books for organizing much of my archives (60 years of activities) and I'm thrilled the material is housed at Yale University. The Larry Goodell / Duende Archive 
I sent much of these links to Jack Loeffler who's working on an exhibit of "alternative" American culture (since Desert Solitaire & Howl) for the Museum of New Mexico History, It's how I've been bannistered to work on my journey up the stairway to the stars (or ultimate chaos).

Larry Goodell in Artspace 1976 since that was after I created my performance poetry "ceremonial" events and with an essay "Co(s)mic Clown" by Gus Blaisdell. I think it's still a good introduction and I'm very grateful for Artspace for this.

Some of the earliest (and only) video of the works referred to I've just had converted and made available - 1973 in Buffalo on a tour I did with Stephen Rodefer (several cities) and 1976 at UCSD when I was invited as one of "Three Performers." I have done the best I could with the editing of old video of work I did which includes objects made by Lenore Goodell as well as myself.

University at Buffalo 1973  The video - Part 1 and Part 2 - is ALL of the Bowl of Ometeotl so I keep it together, but there are a couple excerpts. This work is unpublished except for "Uprooted Valley" so the video is very important to me and I'm grateful to whoever did it.
UC at San Diego 1976 Here are 5 shorter videos, 5 poems I did at UCSD from both the Staff and the Bowl. Virginia Maksymowicz and Blaise Tobias did the video.

There is some duplication of works presented although the Buffalo tape is one entire work. You can poke into these videos just to see what I was doing especially since I am beginning work on publishing this work. I have to do everything myself. My secretary quit a long time ago. My editor said "Fuck You Goodell" and left. My publisher closed the door on me and locked it permanently. Oh well, you can't have everything (autumn leaves floating on the water at Las Huertas Creek right now are incredibly beautiful and peaceful.

Please note that Facebook has jumbled the order of these Poet and Artist Friends Albums and I have to decide how I can transfer/redo the Poet & Artist Friends into an online photo/comment book. I started these little photo/comment surveys because I was disturbed by so many active poets unaware of the rather pervasive poetry excitement readings publications that went on before, a long time before. 






Some Object Poems & a Mask from those times LG

Thunderbird Bar in Placitas - my collection and Susan Junge and P.A. Blalock collection of Thunderbird Flyers and photographs.

This KUNM-FM broadcast was in 1990 but features Ginsberg, Nanao Sakaki and other notables and reflects back. This is simply recording from the event on the air and an extraordinary conversation.  

Placitas Literary Heritage (a recent more comprehensive event was held also). 

The interview down below is with the founders of the Thunderbird Bar, the "hippy" era supreme in Placitas. Gives you some since of their voices and some true history!

Interview with the founders of the Thunderbird Bar in Placitas, in full, edited only to improve sound quality. 3 Parts. Part 1 has good recounting by Steve Katona et al continued on in Part 2Part 3 has good recounting by Susan Junge who was integral in starting the Placitas Arts & Crafts Fair and who did much of the artwork.

And the assortment of videos will probably continue growing: My YouTube Chanel.  Such as is is. Many are rescued from outmoded video tapes. 

Bandcamp a friendly place where I can make a variety audio accessible. I love it. Recordings of poetry events at the Living Batch Bookstore in Albuquerque. All this on Bandcamp (and some on Soundclick.) Many were called duende spinoffs and put on cd's. Also some events of the duende poetry series in Placitas at Anasazi Fields Winery. Variety of Audio. Albums of poetry live, poetry with my keyboard backing, lots of "free jazz" improvised keyboard pieces.

Issuu has become a place for my Online Adventures my necessary outgrowth from the build up of unpublished works. This is such a vital mediary. Many books, plays, articles, personal gatherings of literary curiosities, unpublished work, evolutions.  

Photograph Albums on Flickr. I hope this will grow and many thanks to the male/female makeup of the streaming digital world.

My Website with information about duende press, yes, still alive! New books and diversions some gutsy.

This post can only be improved. Thank you for your interest. Any comments, suggestions I am open to you.

larry goodell / placitas, new mexico /1st of November 2016 larrynewmex@gmail.com USA


Friday, September 16, 2016

The Fantastic Poetry & Piano of Ellyn Maybe & Robbie Fitzsimmons - Skywriting with Glitter


In some collaborations between poets and musicians it’s more a collaboration with the enemy where sound strangles the poet’s words or vice versa and both go their selfish ways.

But in Skywriting with Glitter you get a cross-fertilization, an interweaving, a mutual creative respect, the best of the best of collaboration – human voice and piano. Ellyn Maybe’s poems, like apocalyptic fairy tales, are narratives of surreal/real adventures from her well-read storied mind. They are stories of innocence in a world of indifference, evocative of the post-Beat revolution.


And Robbie Fitzsimmon’s sonorous rhythmic piano urges through every phrase and lingual delivery as perfect as the warp and weft of a Navajo landscape transfixed in weaving. His counter-tenor voice compliments and amplifies, accompanies and lifts both his and Ellyn’s words and is secure in the groundwork of its own.


These works are often a revolution of the lyric where doggerel and repetitious rhyme are simply unneeded, in fact foreign to the song-poem. Poetry has been freed to be music again. We are dealing with a poet’s inspiration and the remarkable creativity of a musician.


Trying not to listen to the pieces on this album again won’t succeed. Once you enter its world, Ellyn’s poems and Robbie’s music, you’ll find each hearing opens up doors like stars that are there blinking with amused deference.


The compelling mystery and insistent story board of these collaborations will fill your room, your headphones, your speakers, your mind-space with fresh energy and plenty of rhythmical dance to move you around.


Larry Goodell / Placitas, New Mexico / 15Sep2016


Skywriting with Glitter, Ellyn & Robbie

Available now! CDBaby or Amazon


Wednesday, August 10, 2016

New Mexico Love - Music & Poetry - Joan Cere - Alma- Larry Goodell

New Mexico Love - Music and Poetry (about a 15 minute video)

This has been an amazing project for me to learn something about editing video and I hope everyone enjoys this (sorry I'm so prominent and drinking like a fish before I saw the light and sobered up). Love to all and thank you dear New Mexico friends and friends and acquaintances everywhere.
This is New Mexico my home and native state as I love it! If possible see at full screen with volume adequate. Video done by John McCloskey in 1981 in Bernalillo for the 3rd Annual Birthday Benefit for S.E.A.C. (Sandoval Environmental Action Committee) with Joan Cere and the first incarnation of "Alma" and Larry Goodell.

Other poems I read at this 1981 Event. "Sprout" (about 6 minutes) which includes audience footage. And "An Occasional Poem" & "Story of Football" (very short)

Subscribing to my Channel simply encourages me to bring more poetry videos to light.









A few screen shots from New Mexico Love and from Sprout.

Larry Goodell August 2016

Tuesday, July 26, 2016

Aroma Parlor, 1981



















(large sketch of a nose in back of desk with 2 phones on it.
Woman sitting at desk.
Voice of 1st phone is from a man standing behind hanging nose)

Characters:
Woman
Voice


WOMAN. (1st phone  rings)
Brussel's broccoli sprouts,
Medium of the East speaking.
Yes
We have Darm cures.
Darm, D.A.R.M.

They put you in the sprocket of the sprout
And bathe you in kitty litter
And (2nd phone rings)
can you hold?

Pop up Puberty Crackpot Soap
Yes we perfume.
Oh, your odor.
Oh
your odor,  it's so unusual
It comes right through the phone desk.
But ours will reach through the drainpipes of
your typical bathroom country and
cause the President's eyeballs to twitch.
Yes we go beyond the mere titillation of the nose
into the astounding refitting of round eyeballs into square sockets
(laughs)
You know how those satellite bathroom countries are
they havent rounded off their odors yet.
So we have political process at our disposal.
Our odors insist and change.
We are politically oriented,
we change the world through smell.
The nose is connected to every other part of the body
including itself.

Your appointment?
At 12,  will that be convenient?
12:15.  Thank you. (hangs up 2nd phone, back to 1st phone)
Thank you for holding.

I had a rimjob patient on the other line.
Yes,  I am the secretary,
Our organization has combined the former major functions
into the secretary
in other words
I am the doctor or docteur too.
All our secretaries perform all the major functions in this clinic.
Besides selling pop up puberty crackpot soap
we demonstrate every function of its aura –
anal, oral, aroma, atonal, anatomical
and anointed.
Yes we have instant phone cures
in it, around it, through it, sometimes under it –
we control everything we’re connected to.
(pause)
  Cracked

Popped

Nukes ?

The New Nukes?

I hadnt heard of that
but we’re in
the Pussy-So-Firm Department
You know,  to go along with
the Cock-So-Limp.

Or should I say the bulge instead of the recess.
Recesses bulge too,  on the other side.
Recesses have bulges,  and those bulges fit
the recess on the bulge –
that is
       the big bulge.
All bulges have some recesses.
Tho an exact mathematical bulge that exists in the previous state of mind
where we used to live in the 50's
with social orientation not even learned yet
an exact mathematical bulge cd exist on an abstract level.

But I'm talking too much how's your father?

VOICE. (this is the voice being talked to, now heard)
Oh he's selling odors now.

WOMAN.
Well he should join up with the Pop Up Puberty Crackpot Soap
and reform his pad.
All change comes from within.
You start in the very circles of your own eyes.

Havent you ever wanted,  really wanted to change?

VOICE.
Oh yes, and how.  I have changed
without really wanting to.
I have learned to be practical
and apply my mute wisdom
to my hands,  my fingers
beyond my fingers.

WOMAN.
And that leads to the discovery of ectoplasm.

VOICE.
The aura is what surrounds you
whether you like it or not.

WOMAN.
I dont see it,  I never did.
This office is so hot.
God I hate working here.
But when through your own ectoplasm
you materialized over the phone
as all those customers
voices in the ear
became you.
Wow, working in this slave joint
almost became worth it.
(2nd phone rings)
Excuse me.
(answers 2nd phone)
Major Centrifugal forces.
(other phone 3rd? rings)
Oh I’m sorry I must put you on hold.

Illusory Bumper Stickers.

Yes, we do have no-Knox gelatin.
All things gelatinous, oozy, translucent, slick
like jello, we have.
We use them for our Illusory Bumper Stickers.

VOICE.
Oh yes, Electrolux Vac
back where we are.

WOMAN.
In front of the backdrop.
Doing a routine.
A routine day in the life of
Mrs. Phantasm
the illustrated illusory spa
of never-never life.
Well it's all hogwash.
We know that language wasnt pure
it was all computerized.

VOICE.
It had its magic formula
but that was an amalgamation computerization
the computer talking magic talk
plugged into the telephone machine
trained by satellite into the Mistress Computer
and returned here
at the phone desk.
Of course I materialized but I always do
when the day is over
and the job is done.
That free week time when you float
from one space to another
and hopefully land.

WOMAN.
Land.
Well, we're at home.
And you're on the phone.
(ring)
Hello, Weightlifting Division.
No,  Harold's out to lunch.
Sure, he works here.

This is reality,  come back to earth,
drop all those seaside clouds
this is the desert.
This is the fuckin desert.
You dont see no palm trees out there
this is the real desert.
You know,
carbohydrate vacuum.
Yeh.

VOICE.
Well I wont be staying long.

WOMAN.
Goodbye.

(Hangs up.)

(End)

larry goodell / placitas, new mexico / 28May1981

This play(let) reflects Body Palace, a play for two women, which I wrote in 1975. A recording of Body Palace is here.

Love to all in the continued revelation of "3 Dimensional Poetry," Poetry in the Round, Poetry in the Plaza, Lifeforms of Poetry living and well interconnected and interpersonal with its surroundings . . . .
larry

Friday, June 17, 2016

SPACE ORB VISION CROWN

accordion fold poem (one long sheet) for Joe and Olivia Bottone wedding in Placitas, 1968
housed in my book of typed and assembled poems for that year





(foldout is one long sheet)
larry goodell 
placitas, new mexico

Sunday, May 15, 2016

A Few Pages from Larry Goodell's Notebook #17 - 1974


4 successive pages from Notebook #17 - Larry Goodell


2 pages



Working on the late Bill Pearlman's Inzorbital, a "novel of high research" at this time in 1974, the day after my dad's birthday and the day before Bill's, Leos of advanced degree. Bill was married to Lynn at this time.

The personal value of notebooks is so intense as not to be described, especially from anyone whose first writing is the spirit of that piece, so that all else that follows is keyed to that creative and mysterious moment. It's more than a supplemental memory, it's the handle of its time and surroundings for anyone to refresh their memory with within its fold of the past. A notebook is my referential soul.

This notebook was a gift of the lithographer Bruce Lowney who was living in Placitas at that time. It's a handmade book.
larry goodell / placitas, new mexico

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