Saturday, July 14, 2012

On (origin of "Lang-goiter-age Poet")

Card front and back. Audience sees the drawing of a wall light switch. I read from the "instruction" side. I use a pull chain light socket (which you can hear being turned on & off) . . . I think this is the first time I used the clumsy term "Lang-goiter-age Poet" for the then raging current fashion of writing, especially in San Francisco . . . (written in '84)

audience side of card


poet's side of card


Gaston La Plume, or as he often preferred, Gaston LePlum, was a visage that claimed to write some of my poems, as he did this one in 1984. One time in a gallery in San Francisco I saw a very elegant gentleman signing the guest registry and when I went up and checked the signature it was GASTON LA PLUME. So I have seen the gentleman but have never met him but he does insist on his presence on rare occasions in my life.

bastille day, 2012

Thus Slam


Langoiterage poets devastated the New American poetry and criticism and the MFA glut continues this in acanemia. Thus slam.

Americans love audiences & understand competition above all. Something had to fill the vacuum. Thus slam.

Dr. Elmo Acadork, 2010

Wednesday, June 13, 2012

A Vision of Taj Mahal (purely armchair) & Portrait of Judge Thomas - 1991

Poem with improvised keyboard music back up . . .  
 or, you can hear me read just the poem
this poem is from 1991 poems, Fugitive ABC's.

          Taj Mahal.

                    Burp furor.

These are some little things that don't have any meaning.

"If they have no meaning, why write them?"

I write them because they have no meaning.

                              Is he a high hope Pope?
Or a magnificent downer.

                    He's a meaning hog.

          Lay French out for German to scarf.

          Watch German, watch Japanese
          Watch Black, watch White
          Watch mixtures.
          The chemistry of the Earth

Test tube babies, choosing the sex of the infant.

Don't drag your down into depression.

The biological time Assumption of our Lady of Seniority.
The Goddess of the Goddess of the semi-artificial man.

Artificial inseminal stupidity.

Oh the wonders of . . . . the wonders of . . . .
          What was the subject?

The Goddess of the Taj Mahal, biological slums
the arch new man playing with his beanbag.
Germ warfare. First animal-to-man graft in 1964.
          Oh the wonders of
          man-o-pause.
The Pause that menstruates.
          PMS throws "she's on her rag" out the door.
          Mood control. Intelligence for all including the Barbarians.
          Artificial insemination ovulation.
          Brains without bodies!
          Chemicals to banish sanity.
          Moral horse pills.

A vision of an armchair reveler.
How much fun can you have sitting down?

          Transplantation ultra-centrifuge.
          Two halves of the brain reading two books at once.

          The Empress, favorite wife of a Mogul Emperor
          dreamed up the Taj Mahal.
          The Goddess of the dream was her imagination.

          Eternal life, deep frozen, comes to light.

          Who-Am-I pills.

          A beautiful dream in marble.
          My rolling desk chair travels.
          I can't afford a ticket but I write
          And the world's marvels turn into marble.

          The vision of the Taj Mahal took dope to
          bring it into reality.

An old Sage appeared before the Emperor
and offered an architect the drug
Super-thought for brain to brain links.
I am in your brain regenerating your organ,
the organ Bach played on.
Meaning so big it demands acceptance.

The architect drank the unknown drug and
the wondrous Taj Mahal brain-linked to
the Empress vision revealed itself in all its
lack of clichés.

Poetry is brain stimulation, energizing lost cells.

The late Lord Brain, eminent English neurologist
said scientists must clean up the bathrooms
of their laboratories, roll up their sleeves
and deal with the aftermath of their deposits
in the social world of now.

Responsibility to the population density of the
A Bomb
B Bomb
C Bomb
D Bomb
E Bomb
F Bomb
G Bomb
H Bomb

I Bomb!

So the architect, sage-drunk, finished every detail
of the Taj Mahal plan, vividly, meaning
"gem of buildings."
  
And, eight-sided, it grew white high,
minaret slendered,
on a platform of red sandstone overlooking
Jumna River.
Persian gardened such as in Kashmir.
And the dream wrought from the Empress
favorite of Shah Jahan at Agra
can be seen under bright moonlight
reflected in cypress-lined pool
to all lovers of armchair onyx,
jasper, carnelian the inner false tomb
of floral marble screens
surrounding her & his pretended thereness
as the sun strikes intricate dawn up
lighting the jeweled cenotaphs

           Kuwait, Saddam, Haiti, Yugoslav
          Khmer Rouge, Tainanmen Square, Prague
      Berlin, the Kurds, Ethiopia, Detroit, Tibet
    Jerusalem, L.A., South Africa, Romania
   Austin, the new Nunavut, Japan
  Aspen, Washington DC, Russia, Magic Johnson
irreversible ozone anti-viral depletion
monster ingenious notorious gene-splitting
immunity murderers, genetics in the deep-freeze
thaws,
the real dead are under the Taj Mahal
17th Century reflection of the gasping obstruction
of the near end of the 20th
radiating cancer balls on the pool table
"I have been saying for 30 years
to stop this Population Monster,"
Norman Barlaug of the Green Revolution says
but the gangrene of meaning intervenes
in the no-hospital future, the no hospitable now,
"If we can't do this then
it's a losing ballgame,"
                    &
putting human waste back
in the soil, rather than the rivers.
We are what we waste.

He faces the portals of a slower Second Green Revolution
through the daze, through the days going by
the pattern of the poets growing
a spider web of words spun hot out of the body

no meaning, just song, long.
          So saying
I cover the time
bomb
          the cloned people passing out
from lack of intervention
if everything is left to its own waste
it composts
          the oncoming, incoming
snow
knows.

The human-oriented news
confuses.

The focus is all us.
Us'ens.

No lessens.
Oh vision that took 22 years to build.
Take a hundred, near Delhi,
tomb of beauty I can't really see.

The imagination of nonsense is my goddess.
Honesty is the best
back-pocket policy.
Put your money where
your heart is,
or your heart
where hope.

High hopes.

Are hard.

A simple hope
isn't simple

an epoch crashes
into the questions it has raised:

Inside the great echoing dome
echoing whispers and a cat's purr
here
my little house
is all I don't control.

Brain to body gives up to
link fate
our Lady of Grandiose Principles
echoes
from the real tombs underground.


larry goodell / placitas, new mexico
December 30, 1991
from Fugitive ABC's, poems from 1991








Portrait of Judge Thomas
you can hear this read, it's a bit over a minute  
uncategorically deny that I did nothing, 
said nothing, or pretended to do anything 
that would cause anyone any harm anywhere, 
whether they were connected or not connected 
to any organization under my thumb 
or having caused sexuality among any of my 
employees, or did I ever produce indecent sperm 
in public or pretend I was top jock or bottom 
jock, and I absolutely do not recall any 
amoral, certainly no immoral flaw in my superfluous 
character which shall remain a shining example 
as it always has to our youth, our office girls, 
who have the immaturity to scream every time I 
flash.

larry goodell / placitas, new mexico
New Year's Eve, 1991

(Two poems from the last two days of 1991) lg

Thursday, May 3, 2012

Anthrax Avenue

photograph by lenore goodell

And tacky tacks
commingle your double
time in despair pair
off

you can hear me read this here . . . 



Sex creates fun
fun creates parties
parties create alcohol
alcohol creates dope
women create men
men create half a dozen killing enterprises
made in New Mexico
tragedy crosses the border
everything gets reversed
in the car of the future
the home of the triple car garage
the spoiled brat of the past produces
spores of unbreathable future
time travels backward and ends in
the Pope’s lap
the poet’s rap.
Anthrax Avenue ends
where the Batmobile dead-ends
and has the last laugh in Carlsbad
where the radioactive wastes burp & throw up
hungover from a national binge.
We dropped our guard now everybody
hates our backyard.
That’s what you get for sucking the sucker
                        of secrecy.
Trying forever to pull the wool over
            the sheep’s eyes.
We are the fat lambs led to slaughter
by a government that doesn’t know where it’s going
except to the decimation of the universe.
namely the best of all countries eliminating nature
a one species world, namely ours,
with robot greenhouses and cattle ranches
roaches and ants and aphids we try to murder.
Yes the problem is a preponderance of egos.
Human humans that are not too human.
We’ve made lots of progress the “we” tells me from
                     the pulpit
and yet it’s true: Mozart, Anna and the King of Siam
Mahatma Gandhi, Buddha love and compassion
yes, tolerance.
Tolerance and democracy.
Back to the Earth, my only home
as I return home.
Home again away from home.
That home of hate is not my home
but a fundamental cult
of backended young male assholes.
Breathe deeply. Garden
practice husbandry
follow the stars.
Act like you got sense.
Disorganize.
Follow your dream if that includes
the world of Jane Goodall
Woody Guthrie the great cathedrals
and the kivas
the natural order of recovery
day by day
from the drunken disaster of greed
building houses so big no chicken would live in them
light lightly.
Here with humility to shape me
if I let it.
Let it out
in the music of communicated life
to the jazz beat of the heart
the hearing of the soul
the giant helping of helping others
for dessert. 



larry goodell / placitas, new mexico / 18Oct2001

this is from Oh Cabezon, poems from 2001, over 10 years old . . . remember anthrax being sent in letters to Tom Brokaw & Sen. Dashiell, but then that's only the time the poem is written in, and a month after 9/11 . . . the poem touches on New Mexico, the WIPP project, Los Alamos, drunkenness & greed, gardening, compassion . . . (heck that's about all I write about) . . .

Friday, April 20, 2012

Oh Fertile God




you can hear this read here


Thank you Fertile God.
Oh the gods of the ocean expanded
into the clouds for the garden gods
oh the garden gods the dancing gods of
            the earth of the other earths
            of the many earths of many
                        universes
                        all singing
                        from the mouths of the oceans
                                    clouds and gardens
                        farms and forests
                        mouths of the singers
                                    the birds and lions and panthers
                                    and buffalos & wolves
                                    and elephants and opera singers
                                    and folksingers
                        and everybody in praise for the
               good in the good days
               the good in the bad days
the good ways in bad times
the everything that is, that we who can
work on better:
oh the great enjoyment begins at
                                    any age
as old Fertile Gods you come up from
this Earth, as always you have and will
as the roaring goddesses and mindful
            pleasures of the whole earth
            manured, turned over, furrowed, planted
            as we all sing out
            in speech ways
            in words of the language of all earths
            all earths everywhere
            we work for our food in precious ways
                                        you give us
mindfulness is your dance
                        in the vibrating atoms, harmonious booming
            with salsa backdrop as the tropics elate
            the richness of orchids perfumed and night
                        of foreign moons
            we visit on all Earths
            we relate in our singing how
            singing makes it work and work to play
and harvest
our voices in
the mantle of tropical heaven
here on Earth
as all heavens are only
here on earth.
We weave to be true
in the dance to you
oh Fertile God
            of all the Earths
Thank you.






larry goodell / placitas, new mexico
from To Hell With Mumbo Jumbo, poems 1998

back of reading performance copy (what audience sees)
       
back of reading performance copy,
what the audience sees . . .







text side of performance copy

Wednesday, April 18, 2012

List of “Thing” Development in Larry Goodell's Poems

reading performance from the Staff of Ometeotl, poems with cloth backings, photo by Wayne Jones
"pizza" storage boxes for items needed for presenting certain poems

Note: this is basically a guide to me to get down the chronology of the development of my poems
which often have materialized (at time of writing) a picture of the thing which I then later had to make by hand in order to use in the presentation of the poem. I will add illustrations to this list as time goes by to remind me when I did various things other than reading from a poem to an audience.

“Cycles,” a long poem on a paper loop to be read and finished anywhere, 15Oct66  (published in Cycles, 1966)

(A New Land, a novel, to be read aloud, 1967-68.)

13 Halloween poem on 13 IBM cards to be shuffled & read. Oct 67.

A Bag for the 6 Directions, Nov67.
A one-liner on each of six cards, the cards placed in an empty room, one on each wall, floor & ceiling. Rodey Theater Reading 3 Nov67



Wherever She Blows at Old Town Studio March & April, 1968.
“Theatrical Poetry - Mime - Mixed Media” by the Universal Mind Dance.
At one point poems on paper torn apart as being read.


"Iris Leaves" & "Off-Center" calligrams, May68. drawing/diagram/poems


Making It 15May68, Larry Morris’ class, 68. stacked boxes with 7 different “definitions”
of poetry acted out by poet & audience



The Fool 21May68, Steve Rodefer’s class. poet acting out aspects of human history silently while audience read texts from cookbook to poems on scrolls & objects.
"The Fool." Poet Larry Goodell (pictured above) reads in the Kiva this Wednesday at 7 p.m. Taylor Mead, of Andy Warhol fame, has said of Goodell, "he's an Aztec Goddess that makes me feel like a Grecian Urn." A life-long resident of New Mexico, Goodell is editor of Duende Press and also of the local poetry magazine Fervent Valley. His reading is free, courtesy of the ASUNM-GSA Poetry Series. 







(Trip to Mexico Jul68, Pre-Columbian Adventure)

Word Mandala Sep68.
Magic Box #1 & #2, Amulets, Sep68.

The Staff itself (6 ft cottonwood) materializes 1Nov68.

The President, 13Nov68, New York House, Placitas. “Event” poem enacted in Placitas with
masks & texts for the participating audience.

The News, 29Jan69, University of Albuquerque, shuffle poems read from painted oatmeal boxes.
(1st Garden, Apr-May69)
Holy of Holies, June69 (unfinished)
Headband – thing and words, Jun69. Poem written for the preparation of a headband.

NWSE Up Down Center, Aug69-Nov70, UNM. collaboration of Lenore Goodell drawings set out on floor and poems by me as I moved around to the directions. published in Caterpillar 13.

Paho, Mar70. Poem with each line hanging from a string wound around paho, unwound and read as unwound. UNM
Wind Unwind Poem for Lenore

Great White Brother, Oct70 – Dec70. Harvest mask, staff, balloon, infinity sign on forehead,   FART the name of God. Gray mask in dream, Yellow snake in Olson dream.
I am an animist.
✬Space Helmet headress poem, Jan71.
Hand movement to cunt-bush poem drawing.
Poem of pumpkin with pumpkin aura seen & drawn & turned into headdress to present the poem

✬Sun disk with poem on it, with snake headdress, willow necklace, & Babylonian sun priest robe, and drawing of upper “middle class” couple.

some contents of one storage box

Digging sticks poem. Hands touching & poem.
✬Song, Arrow Cloth Poem to Lenore with beans & seeds in it.

✬Rolled up Poem in a bottle to be unrolled at time of reading and placed on the ground.
Tunnel object sighting poem. “Delight.”
✬Christmas Cupidoll poem with rattles & chant.
Tree ornament poem.
Om Phallus Cunt Ease, poem for a birth, with spider woman & twins cottonwood root carved figures.
(Winter Solstice in Kiva/Hogan, 1970)
Poem to be Burnt, 19Jan71
Onion in white box, 7Feb71
Dead White Christian, 16Mar71 (poems with drawings only)
Poet’s Curse Poem (beating rock with sticks) 12Mar71

Staff of Ometeotl
poems with elaborate cloth backings & hung on cottonwood
staves, with oval magic box-table with compartment of masks & needed items for specific poems in the series.


Bowl of Ometeotl. even more elaborate with large hanging backdrop of cloth Sandias,
several costume changes and all poems on different shaped backing. Cloth arcs with stuffed yoni-lingam in the middle on floor.

Book of Ometeotl. attempt to return to the “book” with poems with furor necessary accouterments.

Blue Spaceman, Apr-May73. with procedural statement, large round cloth covered blue box with breast cover & dangling fish. inside are masks & muscle shirt (made for me by Lenore), and 7 dildos different lengths with silk condoms.

Face of Velma  (unfinished) Dec73-Feb74
The Garden of Ourselves, 26Apr-27Jul74

Mom Dass, 13Aug74. Poem with wig and dress and hand-held mirror with poem on back.

Dried Apricots, Dec74-Jan75. Several booklets, one a play, one secret only for men.

Hot Art & Other Plays
Alfalfa, 5Oct75, Left & Right 12Oct, Captain Armor 14Oct, Hot Art, Body Palace 21-22Oct, The Football Game 24Oct, A Fifth Apart, 23Jan76. Several performed at the Vortex Theater in Albuquerque, directed by Ned Sublette.

✬Clothesline with clothespins to hang and pin poems to for reading at an event reading.
Set of poems on large scrolls that are water colored on audience side with poem on reading side, hung from clothesline.

Poems cut out according to their shape on the page and appropriate designs water colored on back.

(to be continued)
 larry goodell / placitas, new mexico

more storage, box poems masks, muscle shirt, radio mask etc.
Larry in a reading performance of the Bowl of Ometeotl in the Thunderbird Bar, Placitas, New Mexico 1972

Saturday, February 11, 2012

Thunderbird Flight for T-Bird Show reception 11Feb2012

outside the Thunderbird, lead singer of Oriental Blue Streak being serenaded, arts & craft fair, photo: Bob D'Alessandro

Thunderbird Flight

when wonder worlds and worlds wonder
 what time gone by
 what turning of the hour of energy
  into the hour of reflection
   where is everybody who got lost in those times
   beaming health turned to sickness even death for some
   and for all of us eventually, but the music
    and above all dance, dance, dance
    you know what it’s like to dance your heart out?
                                             shaking wonder
holding up the world you thought each to each
 would never come crashing down or burn up
                                                    in bitter rage . . .

what would keep the war off and spirit up
             but a tender heart, a circus atmosphere
 protests walking down Central in Albuquerque
      and dancing in Placitas, the Thunderbird taking off
                   like a ship with no course but enjoyment
 or dancing in Rosa’s Cantina in Algodones or Raphael’s Silver Cloud
             where they cut your tie off and stuck it to the ceiling
                                if you dared to wear one
  but here at home a friendly realtor or mutual enterprise
      caused that bit of land to be bought and round house, domes
             zomes or friends piling adobes
  as all kinds of bitterness and questioning of what is going on
              with all the noise, the invasion, the place become
                                a mecca
   kids arriving in spangles & big city hippy togs
      but immediately getting into the dirt of real subsistence living –
             who didn’t know how to get their own truck going
      if they had one, but there was always a platform, sound equipment,
and Fourth of July or birthdays, music līve, Cadillac Bob
      Oriental Blue Streak and an enormous potluck
                   dope and dancing, beer and forever
                                       and the Thunderbird
 the centerpiece being a place for performance, for pool
      for locals, for visitors, for poets to read
 for musicians, the venue, the support, a real gig
      famous or not, too loud or not, the drama
             of an evening building to a cooking climax
             whatever that was, if even remembered,
   it would all take its toll as war seems to determine
         everything in America, and time, ruthless thief,
      turns dancing into reflection, but music again
             survives and those who stayed stayed
and the golden dream many had, turned gray,
   and the help-each-other-out-and-live-on-almost-nothing
      faded away into the selfish and more wealthy . . .

when wonder worlds and worlds wonder
 what time gone by
 what turning of the hour of energy
  into the hour of reflection

                                                                              larry goodell 11Feb2012 
for the Thunderbird Bar Show Placitas Community Library
a duende press broadside

an opening night in the Thunderbird Bar, Placitas, New Mexico, ca 1970

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